Peer-Reviewed Articles
Cimini, Amy, and Jairo Moreno. 2016. “Inexhaustible Sound and Fiduciary Aurality.” boundary 2 43 (1): 5-41.
Moreno, Jairo. 2016. “Sonorous Specters: On Some Recent Histories and Economies of Afro-Latin Jazz.” Journal of Latin American Cultural Studies 25 (3): 397–417.
Moreno, Jairo. 2014. “La escucha como archivo sonoro. Lo latino y lo afroamericano.” Casa de las Américas 277 (octubre/diciembre): 106-111.
Moreno, Jairo, and Gavin Steingo. 2012. “Rancière’s Equal Music.” Contemporary Music Review, 31.5-6: 487-505.
Reprinted in Music in Contemporary Philosophy, edited by Martin Scherzinger (New York: Routledge, 2014).
Cimini, Amy, and Jairo Moreno. 2009. “On Diversity.” GAMUT: Online Journal of the Music Theory Society of the Mid-Atlantic 2 (1): 111-196.
Moreno, Jairo. 2006. “‘Latin Jazz’ como gramática política.” Margens/Márgenes: Revista de Cultura 8: 66-75.
Moreno, Jairo. 2004. “Bauzá–Gillespie–Latin/Jazz: Difference, Modernity, and the Black Caribbean.” The South Atlantic Quarterly 103 (1): 81-99.
Winner of the 2005 Irving Lowens Award for Best Article, Society for American Music.
Reprinted in The Afro-Latin@ Reader: History and Culture in the United States, edited by Miriam Jiménez Roman and Juan Flores (Duke University Press, 2010).
Translated into Spanish by Mónica Cuellar Gempeler (2011) as “Bauzá-Gillespie-música latina/Jazz: diferencia, modernidad y el Caribe Negro” in A contratiempo: revista de música en la cultura 16.
Spanish translation reprinted (2014) in Cultura y Revolución 56(2): 2-12.
Moreno, Jairo. 2003. “Subjectivity, Interpretation, and Irony in Gottfried Weber’s Analysis of Mozart’s K. 465.” Music Theory Spectrum 25 (1): 99–120.
Moreno, Jairo. 2001. “Schenker’s Parallelisms, Schoenberg’s Motive, and Referential Tones: Notes on Pluralistic Analysis.” The College Music Symposium 41: 91–111.
Moreno, Jairo. 2001. “Tropical Discourses: Community, History, and Sentiment in Rubén Blades’s Latin Music(s).” Journal of Popular Music Studies 13 (2): 133–163.
Moreno, Jairo. 2000. “Challenging Views of Sequential Repetition: From Satzlehre to Melodielehre.” Journal of Music Theory 44 (1): 127–169.
Moreno, Jairo. 1999. “Body’n’Soul?: Voice and Movement in Keith Jarrett’s Pianism.” The Musical Quarterly 83 (1): 75–92.